Shaxda tusmada
Daawashada filimada hore waxay ku raaxaysanayaan filim aamusan(Source: Katherine Linley - emaze)
> Shaleemo aamusan waxay ahayd waagii ugu horreeyay ee Shaleemo, oo socotay qiyaastii 1895 - iyada oo tijaabooyin hore laga helay saynisyahano Faransiis ah, physiologist iyo taariikh-qaade Étienne-Jules Marey ilaa Thomas Edison's Kinetoscope, laga soo bilaabo farshaxanka Faransiiska iyo hal-abuure Louis Le Prince ilaa Walaalaha Lumiere - ilaa 1927 oo leh filimkii ugu horreeyay ee 'talkie' The Jazz Fanaan. Taariikhdeeda, atariishooyinka u dhashay Irish waxay ahaayeen qaar ka mid ah khabiirada ugu xirfadda badan shaashadda aamusan. >
Erayga Shineemo aamusan waa wax oksimoronic ah: filimka aamusan waa mid aan lahayn cod la mid ah ama wada hadal la maqlo, laakiin hubaal ma aysan aamusin maadaama ay inta badan wehelinayeen bandhigyo muusig oo toos ah oo ka socda orchestras. Eraygu waa retronym - kaas oo Merriam-Webster ku qeexay 'erey (sida daawashada analooga ah, kamarada filimada, ama snail mail) kaas oo dhawaan la sameeyay oo la qaatay si loo kala saaro asalka ama nooca ka weyn, qaabka, ama tusaale shay ( sida badeecada) noocyo kale, qaabab, ama tusaaleyaal kale, kuwa u dambeeyay - waxaana loo adeegsadaa dadka dhaleeceeya filimada iyo culimada si ay u kala saaraan waagii hore iyo kan casriga ah ee shaleemada.
Sidoo kale eeg: 7 Waxyaabaha ugu Wanaagsan ee lagu sameeyo Chattanooga, TN: Hagaha ugu dambeeya >Ma ahayn ilaa 1910kii dambe. in filim sameeyayaashu ay bilaabeen in ay shaleemada u arkaan gaadiid hal abuur leh oo sheeko-wadaag ah. Dhaqdhaqaaqa Filimada ayaa wali la bartay maanta, oo ay ku jiraan Hollywood Classic, Faransiismajaajilada lagu magacaabo Cruiskeen Lawn oo uu hagayo John McDonagh, oo xiise u qabay sheekooyinka Irishka.Impressionism, Soviet Montage iyo German Expressionism, waxaa lagu horumariyay qaabkooda gaarka ah ee ay sameeyeen filim sameeyayaashooda, iyo farsamooyinka shaleemada casriga ah sida kuwa isku dhow, darbooyinka fanka, iyo tafatirka joogtada ah waxay u beddeleen shineemo qalab sheeko sheeko oo awood leh oo maanta ah.2>Maadaama shineemada Silent aysan lahayn wada hadal la maqli karo oo sharaxaad qoraal ah ama sheeko dhexmartay jilayaasha ay ku koobnayd kaararka cinwaanka, qaabka jilitaanka ee jilayaasha shineemada aamusan ayaa dareemaya in laga buun buuninayo marka loo eego kuwa wakhtigan. Kuwii filimadii hore waxay si weyn ugu tiirsanaayeen luqadda jirka iyo muujinta wejiga si ay u muujiyaan shucuurtooda, mana aysan ahayn ilaa 1920-meeyadii in xiddiguhu ay bilaabeen inay si dabiici ah u dhaqmaan iyada oo ay ugu wacan tahay horumarinta qaabab kala duwan iyo fahamka in filimku uu ahaa farshaxan ka duwan kan tiyaataradaTiknoolajiyada hore ee shaleemada waxay ahayd mid aan deganayn, gaar ahaan filimka Nitrate-ka ee aadka u ololaya ee loo isticmaali jiray in lagu qabto sawirada filimada, qaar badan oo ka mid ah madaxda ganacsiga ayaa arkay filimaan badan oo aan lahayn qiimo dhaqaale oo joogto ah sidaas darteed boqolaal filim ayaa midkoodna lumay. ama si ulakac ah loo burburiyo: waxaa lagu qiyaasaa in ku dhawaad 75% dhamaan filimada aamusan ay lumeen.
Cinema-jecel waxay maanta nasiib u yeesheen in ay helaan tiro yar oo shaleemo aamusan ah oo ay maanta heli karaan, qaar ka mid ah filimadan ayaa la odhan karaa waa ka sii badan yihiin. maanta caan ka ahaa kuwii hore. Tusaalooyinka waxaa ka mid ah Charlie Chaplin's ModernTimes (1936) iyo Nalalka Magaalada (1931), Buster Keaton's The General (1926) iyo Sherlock Jr. (1924), riwaayadaha taariikhiga ah iyo riwaayadaha Cecil B. DeMille iyo DW Griffith, oo ay ku jiraan Dhalashada caanka ah ee Qaran (1915) , iyo hororaynta horornimada, shaqada argagaxa Gothic ee Jarmal Expressionists, oo ay ku jiraan Fritz Lang's Metropolis (1927), Robert Wiene's hadda qarni jir ah Golaha Wasiirada ee Dr Caligari (1920), iyo FW Murnau ee la qabsiga Bram Stoker's Dracula, Nosfertu (1922) ).
Haweenka Irishka ee Shaashada Aamusan
Inkasta oo inta badan xidigaha shineemada Silent ay ahaayeen Maraykan ama Yurub, Irishku sidoo kale waxa ay soo bandhigeen joogitaankooda, gaar ahaan atariishooyinka kartida badan.
Eileen Dennes (1898 – 1991)
Sawir weli laga soo qaaday The Unforeseen, oo ah filim aamusan oo lumay 1917 oo uu jilay Eileen Dennes (Source: Mutual Film Corporation 
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Waxay ku dhalatay Eileen Amhurst Cowen, Eileen Dennes waxay ahayd jilaa ku dhalatay Irish (waxay ka timid Dublin) taasoo shaqadeeda jiliin ka bilowday masraxa horraantii 1910-meeyadii. Iyadoo rabtay inay sii horumariso shaqadeeda, Eileen waxay u guurtay Ameerika 1917. Halka ay ku heshay shaqo iyada oo loo sii marayo Empire Al Star Film Co. waxaana si degdeg ah loogu soo bandhigay door lama filaan ah (1917), oo ah laqabsiga 1903 riwaayad isku magac ah. Waxaa Director ka ah John B. O'Brien kaas oo wax ka badan 50 filim sameyn doona inta lagu guda jiro xilligaan.
> Ka dib The Unforeseen, Eileen waxay sameysay hal filim oo Hollywood ah oo ay la wadaagto saaxiibkeed.Saytuun Tell ka hor intaadan go'aansan inaad shaqo ka hesho Ingiriiska beddelkeeda. Waxaa qandaraas u fidiyay soo saaraha, agaasimaha iyo qoraaga Ingiriis ee Cecil Hepworth, oo caan ku ahayd duubista aaska Queen Victoria iyo la-hagidda shaashaddii ugu horreysay ee Lewis Carroll's Alice ee Wonderland sannadkii 1903. Doorkeedii ugu horreeyay wuxuu qayb ka ahaa qayb yar Sheba (1917) oo ay weheliso Alma Taylor iyo Gerald Ames, halkaasna waxay uga sii gudubtay doorarka jilitaanka ee Once Aboard the Lugger (1920), Mr Justice Raffles (1921), The Pipes of Pan (1921), iyo Comin' Thro the Rye ( 1923)
Eileen waxay soo afjartay qandaraaskeedii Hepworth ka dib Comin' Thro the Rye waxayna u dhaqaaqday inay la shaqeyso agaasime u dhashay Australia iyo soo saare Fred LeRoy Granville filimkiisii jaceylka ahaa ee Sins Ye Do ee 1925. Doorkeedii ugu dambeeyay wuxuu ahaa sidii Lucy ee Squire ee Long Hadley ee 1925, oo uu hagayay Sinclair Hill kaasoo sii wadi doona in lagu abaalmariyo OBE adeegyadiisa shineemo.
Moyna Macgill (1895 - 1975)
Jilaa Angela Lansbury (bidix) hooyadeed Moyna Macgill (midig) inta u dhaxaysa muuqaalada Marwo Kind 1951. (Source: Silver Screen Oasis) >> 
Waxay ku dhalatay Charlotte Lillian McIldowie, Moyna waxay ahayd marxalad ku dhalatay Belfast, filim iyo xiddig telefishan waxaana laga yaabaa in hadda si fiican loogu yaqaan inay tahay hooyada Angela Lansbury. Xiisaheeda jilitaanka waxaa kiciyay aabaheed, oo ah qareen sidoo kale ahaa maamulaha Belfast's Grand OperaHouse.
Maamulaha Filimada Silent-ka ah ee George Pearson ayaa maalin maalmaha ka mid ah ku arkay Moyna da’yar oo ku jirta dhulka hoostiisa ee London, aad ayayna ula dhacday iyada oo uu isla markiiba matalay filimaan badan oo uu sameeyay, markii ugu horreysayna waxay ahayd sheekadii fardaha ee Garryowen sannadkii 1920kii. Iyadoo horay masraxa ugu horeysey ee Globe Theatre soo saartey Love is a Cottage ee 1918, Moyna xirfaddeeda waxay noqotay mid caan ka ah filim sameeyayaasha.
Waxay ku qancisay inay magaceeda u beddesho Moyna Macgill by Gerald du Maurier, a jilaa iyo maamule kale, waxayna ugu dambeyntii noqotay mid ka mid ah atariishooyinka hormuudka ka ah waqtigeeda. Waxay la safatay kuwa ay ka mid yihiin Basil Rathbone iyo John Gielgud (kuwaas oo xukumayay marxaladda Ingiriiska oo ay weheliyaan Laurence Olivier iyo Ralph Richardson inta badan qarnigii 20aad) ee fasallada, majaajilada, iyo melodramas.
Ka dib markii ay fureen ninkeeda Reginald Denham - qoraa, masraxa iyo agaasimaha filimka, jilaa iyo filim soo saare - Moyna waxay guursatay siyaasiga hantiwadaaga Edgar Lansbury waxayna shaqadeeda hakisay si ay diiradda u saarto caruurteeda Isolade (oo markii dambe guursaday Sir Peter Ustinov), Angela, iyo mataanaha Edgar Jr. iyo Bruce, kuwaas oo Dhammaan waxa ay u socdeen shaqooyin guul leh oo fanka riwaayadaha ah.
Sannadkii 1935-kii, ninkeedu waxa uu u dhintay kansarka caloosha, Moyna waxa ay xidhiidh aan wanaagsanayn la bilowday Leckie Forbes, oo hore u ahaan jiray Kornayl Ciidanka Ingiriiska. Wax yar ka hor The Blitz, Moyna waxay awooday inay iyada iyo carruurteeda u kaxayso Maraykanka si ay uga baxsadaan isaga laakiinmaadaama aysan haysan fiisaha shaqada, ma awoodin inay ka shaqeyso masraxa ama filimada aamusnaanta waxayna ku qasbanaatay inay akhriyo riwaayado ah ku soo bandhigto dugsiyada gaarka loo leeyahay si ay dakhli u hesho.
Kadib markii ay ku biirtay wax soo saarka Noel Coward's Caawa 8.30 1942, Moyna waxay qoyskeeda u guurtay Hollywood halkaasoo ay ku jishay Talkies sida Frenchman's Creek (1944) iyo Sawirka Dorian Gray (1945). Inta ka hartay shaqadeeda waxay ku jirtay telefishanka, gaar ahaan soo saarista sci-fi The Twilight Zone (1959 – 1964) iyo My Favorite Martian (1963 – 1966).
Eileen Percy (1900 – 1973) >
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Eileen iyo la-xiddigeedii 1920-kii waxay soo saareen Husband Hunter. Xigasho: Fox Film Corporation Sidoo kale ku dhashay Belfast, Eileen Percy waxay ka soo guurtay Waqooyiga Ireland waxayna u guurtay Brooklyn, New York 1903, dib ugu laabatay Belfast in muddo ah, waxayna ku noqotay Brooklyn markay sagaal jir ahayd, halkaas oo ay gashay guri kaniisad ah. . Waxa laga yaabaa inay tahay jilayaasha Filimka Aamusan ee ugu faca weyn Ireland, oo ka soo muuqatay 68 filim intii u dhaxaysay 1917 iyo 1933.
Eileen waxay ku lug lahayd fanka ilaa yaraanteedii, iyada oo heshay shaqo qaab farshaxaneed oo ay jirtay kow iyo toban jir, waxaanay samaysay iyada Broadway markii ugu horreysay. Maurice Maeterlinck's 1914-kii sheeko faneed faneedka Blue Bird da'diisuna tahay afar iyo toban jir. Sannado ka dib masraxa iyo muuqaal yar oo shaashad ah oo ku yaal Allan Dwan's melodrama Panthea (1917), Eileen wuxuu weheliyay magaca Hollywood Golden Golden - Douglas Fairbanks ee 1917-kii majaajilada-galbeedka wax soo saarka Wild iyodhogor leh. Waxay noqotay haweenayda hormuudka u ah saddex filim oo kale sanadkaas. Eileen waxa ay sii waday in ay wax ka jisho dhawr filim oo Hollywood ah, oo ay ku jiraan Flirt (1922), Cobra (1925), iyo xaaskii shalay (1923). Sheekooyinka dhamaadkii 1920-aadkii. Eileen waxay ahayd mid jilicsan, maamulayaashuna ma rumaysnayn in codkeeda uu leeyahay qoto dheer oo loo baahan yahay mustaqbalka ee filimka codka ah. Doorkeedii ugu dambeeyay ee aamusnaanta wuxuu ahaa Sam Wood's 1928-kii majaajillada-majaajillada-riwaayadaha Telling The World, waxayna ku samaysay filimkeedii ugu horreeyay ee filim ee Qoob ka ciyaarka, oo sidoo kale loo yaqaan The Broadway Hoofer (1929), oo ah jilaa muusik ah oo jilaa majaajillo ah Louise Fazenda. Eileen way ku adkeyd inay hesho shaqo, iyadoo inta badan ka soo muuqatay doorar aan la aqoonsan, waxayna jishay filimkeedii ugu dambeeyay 1933, Gregory La Cava's romantic-Rarama Bed of Roses.
Shaqadeeda jilitaanka waxa ay joogsatay 33 jir, Eileen waxa ay sii wadatay noqo wariye shaqaale u ah Pittsburgh Post-Gazette iyo qoraaga bulshada ee Hearst's Los Angeles Examiner.
Sara Allgood (1879 – 1950) >
Markii aabaheed dhintay Sara waxay ku biirtay Inghinidhe na hÉireann (“Gabadha Ireland”), koox ayaa soo abaabushay inay ku dhiirigeliso haweenka da'da yar ee Irish inay qaataan Fanka Irishka iyagoo ka soo horjeeda saamaynta Ingiriiska ee sii kordheysa dalkooda. Waxaa la hoos geeyay garabka Maud Gonne, jamhuuriyadda kacaanka, codbixinta iyo jilaa, iyo William Fay, jilaa iyo soo saare masraxa, iyo aasaasihii tiyaatarka Abbey iyadoo ay joogtay Inghinidhe na hÉireann.
Sara waxay bilawday jilitaankeeda. Xirfadda masraxa, oo ay jishay dhowr wax-soo-saar oo ay ku jiraan The King's Threshold ee 1903 iyo Faafinta Wararka 1904. Masraxa Abbey wuxuu aakhirkii u calaamadeeyay xiddigooda wuxuuna ku tuuray wax soo saarkooda intiisa badan. Sara waxay lahayd cod xoog badan waxayna awooday inay si sahlan u maareyso, dareenkeeda dabeecadda waxaa xusay Abwaan W. B. Years oo ka faallooday inay ahayd "Aktarad weyn oo keliya maaha, laakiin wax kasta oo dhif ah, haweeney majaajillo ah".
Sara waxa loo saaray hogaanka riwaayadii Peg o' My Heart oo socdaal ku tagtay Australia iyo New Zealand 1916kii Filimkii ugu horreeyay ee aamusan Just Peggy, oo lagu toogtay Sydney 1918. Nasiib darro, arrimuhu waxay u beddeleen kii ugu xumaa ee Sara. Iyadoo guriga ka maqan Sara waxay dhashay gabadh maalin ka dib dhintay, ka dibna Gerald ayaa la qaadayHargab dilaa ah oo dillaacay 1918 bishii Nofembar. Waligeed dib uma aysan guursan.
>Sara waxa ay sii waday in ay wax ka jisho Talkies badan oo hore, oo ay ku jiraan shaqooyinkii ugu horeeyay ee filim sameeyaha caanka ah ee Alfred Hitchcock. Iyada oo in ka badan 50 filim ay ku hoos jirto suunka, Sara waxa ay ahaanaysaa mid ka mid ah atariishooyinka shaleemada aamusnaanta ee hore loogu jeclaa Ireland-
- Atariishada ku dhalatay Irish ee ka timid County Kildare, Ireland, Amelia waxay u soo haajirtay Toronto, Canada iyadoo caruur ah . Amelia waxa ay jishay doorkeedii ugu horeeyay ee masraxa iyada oo jirta toddobo waxana ay sii waday in ay ka soo muuqato afar iyo toban riwaayadaha Broadway laga bilaabo 1885 - 1925. Waxay jishay toban filim oo aamusan, oo ay ku jiraan Sideed Kartaa, Caroline? (1918) iyo Markhaati Difaaca (1919).
- Patsy O'Leary (1910 - aan la garanayn)
Maalinta Patricia dhashay, Pasty O'Leary waxa uu ku dhashay County Cork, Ireland oo waxa uu noqday magac-u-sheega Mack Sennett majaajilada aamusan ee 1920-meeyadii iyo 1930-meeyadii.
Sidoo kale eeg: Halyeygii Selkiyada- >Alice Russon (firfircoon 1904 – 1920) 20>
Atariisho, heesaa, iyo qoob-ka-cayaaraha ku dhashay Irish, Alice waxay ahayd xiddigta filimaan aamusan oo dhowr ah oo British ah iyo majaajillo muusig, oo ay ku jiraan Maalmo Badan Kadib (1918) iyo Dhammaan Ragga waa Beenaalayaal (1919).
- Fay Sargent (1890/1891 – 1967)
Waxay ku dhalatay Mary Gertrude Hannah ee Waterford, Ireland, Fay waxay ahayd jilaa, heesaa, iyo saxafi u dhalatay Irish. Waxay jishay hal filim oo aamusan sanadkii 1922, a
